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From the Repertoire: Western Music History through Performance

Curtis Institute of Music via Coursera

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Overview

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A survey of music history begins with those works that convey the artistic trends, innovations, and compositional techniques representative of their time. This course will look at key works by Bach, Haydn, Mozart, Beethoven, Brahms, Schoenberg, and Crumb, brought to life by audio or video recordings by Curtis students, alumni, and faculty. Accompanying lectures explore the historical context, composer, musical significance, and compositional design of each work. Guest interviews offer special insight into performance, improvisation, and contemporary composition. In-person and online sessions with the faculty members are being planned.

Life-enrichment learners and amateur musicians will be encouraged to engage in global online discussions about the music, as they sharpen their listening and descriptive skills. Multiple-choice quizzes will reinforce lecture material. Optional peer-graded assignments guide learners through the process of listening, researching, and writing to create their own program notes.

By the end of the course, learners should be able:

  • to understand a general survey of the development of Western classical music through the ages
  • to further develop the skills to explore the background of composers and their compositions
  • to better enjoy concerts and performances with enhanced listening skills

Syllabus

The first week offers an historical overview as a starting point. The remaining six weeks examine specific repertoire, with recordings of performances by Curtis students and alumni provided online. Lecture videos explore the era, the composer, and the piece, from both music history and compositional design perspectives.

Week 1: A Brief History of Notation

Week 2: J. S. BACH, Chaconne

Week 3: HAYDN, String Quartet in C major, Hob. III:32, and MOZART, String Quartet in B-flat major, K. 589

Week 4: BEETHOVEN, Grosse Fuge in B-flat major, Op. 133

Week 5: BRAHMS, Two Songs, Op. 91, and Trio in E-flat major, Op. 40

Week 6: SCHOENBERG, Pierrot lunaire

Week 7: GEORGE CRUMB, Voice of the Whale

Taught by

Jonathan Coopersmith and David Ludwig

Reviews

4.5 rating, based on 2 Class Central reviews

Start your review of From the Repertoire: Western Music History through Performance

  • Anonymous
    A very interesting course ! I was surprised to appreciate the two lasts week also, although it was about modern music. I recommand it !
  • Aana

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