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5 Popular Stereo Mic'ing Techniques Explained & Compared
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Classroom Contents
Recording & Production Tricks
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- 1 5 Popular Stereo Mic'ing Techniques Explained & Compared
- 2 A Beginner's Guide to Microphones: Polar Patterns & Mic Types
- 3 Mixing Snare Drums Like A Pro | With Brian Deck
- 4 Mixing Creatively Using Overhead & Room Mics with Brian Deck
- 5 The Enduring Legacy of the SP-1200 (featuring Nick Hook) | Reverb
- 6 Recreating '80s Stadium Rock Drum Sounds | Recording Tricks
- 7 Comparing 5 Popular Ways of Recording Bass Guitar
- 8 The Prince LinnDrum Sound with Acoustic Drums
- 9 How To Record Drums For 5 Genres: Classic & Modern Rock, Smooth '70s, Indie Folk, and Jazz | Reverb
- 10 Crafting Songs w/ Novation Launchkey Mini & Ableton Live | Reverb
- 11 Can We Recreate The Motown Sound? | Reverb
- 12 The Tame Impala Drum Sound: How to Mic, Mix, & Select Drums | Reverb
- 13 3 Tricks to Make Pop Vocals POP | Reverb Mixing Techniques
- 14 3 Tips for Creating Space for Kick Drum and Bass Mix | Reverb Recording Tips
- 15 Mixing Pro Modern Drums: Blending Sampled Drums with Acoustic Drums | Reverb Recording Techniques
- 16 The Easiest Ways to Record a Podcast | Reverb
- 17 Vocal Slap Delay with a Cheap Garden Hose | Reverb Experimental Recording Techniques
- 18 6 Detuned Acoustic Guitars for Natural Chorusing | Reverb Experimental Recording Technique
- 19 How to Funk Up Acoustic Piano Sounds | Reverb Experimental Recording Techniques
- 20 How to Create Huge Snare Drum Sound Using 2 Drums | Reverb Experimental Recording Techniques
- 21 Pitch Modulating an Acoustic Piano with a Leslie Speaker | Reverb Experimental Recording Techniques
- 22 Marshall Time Modulator: In the Studio with Jamie Lidell | Reverb.com
- 23 Varispeed Vocals in Pro Tools: In The Studio with Jamie Lidell | Reverb
- 24 Jamie Lidell Plays All His Synths At Once: In The Studio With Jamie Lidell | Reverb
- 25 The Needle Drop Sampling Method | In The Studio with Jamie Lidell | Reverb
- 26 Recording Acoustic Piano Through FX Pedals & Amplifiers | Reverb Experimental Recording Techniques
- 27 Vari-Speed Drum Recording | Reverb Experimental Recording Techniques
- 28 Crushed Drums with Contact Mics, Tape, and Compression | Reverb Experimental Recording Techniques
- 29 Ableton Live for Guitarists - Part 4: Arranging Your Track
- 30 Ableton Live For Guitarists - Part 3: Adding Drums and Effects
- 31 Ableton Live for Guitarists - Part 2: Adding Bass to Your Track
- 32 Ableton Live for Guitarists – Part 1: Recording Guitars Through Pedal Effects
- 33 Jonathan Rado Dissects Foxygen's "Follow the Leader" Recording | Reverb Behind the Mix
- 34 Using Ableton Live with a Band | Reverb.com
- 35 Repairing Audio with the iZotope RX Plug-in Pack | Reverb Mixing Tips
- 36 Mastering Your Track Using Izotope Ozone 7 Part IV: Advanced Techniques
- 37 Mastering Your Track Using Izotope Ozone 7 Part III: Compression and Limiting
- 38 Mastering Your Track Using Izotope Ozone 7 Part II: Using The Equalizer
- 39 What Is Sidechain Compression and How To Use It | Recording Tricks
- 40 How To Use Effects Pedals as Outboard Gear | Recording Tricks
- 41 How To Reamp Your Guitar For Recording | Reverb Recording Tricks
- 42 How To Record Drums with 1, 2, 3, 4, or 5 Microphones with Brian Deck | Reverb Recording Tricks
- 43 10 Ways to Mic A Guitar Amp with Brian Deck | Reverb Recording Tricks
