If the negative comes alive in the darkroom, then a film comes alive in the edit bay. There is a lot an editor must know to keep organized and hold onto the director’s creative vision. In addition, a videographer with knowledge of how the footage will be cut and assembled will be a much stronger shooter. In this class you will jump into the art of editing your work, exploring the tools, workflows and practice of editing.
Overview
Taught by
Instructor To Be Announced