Learn the ins and outs of working with transcoded footage. Explore different workflows for Premiere Pro, Adobe Media Encoder, and Prelude and transcode any time in production.
Overview
Syllabus
Getting Started
- Welcome
- How to get the most from this course
- Using the exercise files
- Native vs. transcoded editing in Premiere Pro
- Codecs and formats for shooting
- Log
- Raw
- Codecs and formats for editing
- Limitations of native workflows
- Pros and cons of transcoded workflows
- Factors that go into choosing a workflow
- Doing a basic transcoded workflow
- Using Prelude to transcode footage before you edit
- Understanding Adobe Media Encoder in the transcoding process
- Essential transcoding settings
- Creating a preset for transcoding
- Working with highly compressed sources
- Working with uncompressed sources
- Applying first-pass color correction with a LUT
- Benefits and possibilities of transcoding while you edit
- Examining your sequence at full quality
- Sequence settings
- Subclip transcoding
- Exchanging managed sequence or media with other video professionals
- Render and replace
- Benefits and possibilities of transcoding at the end of your edit
- Adjusting pixels and frame sizes
- Implementing watched folders for output
- Archiving projects
- Learn more
Taught by
Jason Osder
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