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中国画山水理论研究Ⅰ

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Overview

《中国画山水理论研究》是培养艺术类研究生、本专科生和各专业同学美育素质的重要必修课程，我们在国内外著名山水学术前辈的建议下将课程宏观设计、微观甄别，选取了大部分著名山水理论，期待能为学子所需。本课程除了名家导学与尾声共有八章，分别是中国传统哲学思想与山水理论,六朝山水画论,唐、五代山水画论,宋代山水理论,元代山水理论,明代山水理论,清代山水理论和拓展章节山水与诗画乐研究。

可以说《中国画山水理论研究》课程不仅是史论专业热衷专研的必修课程，同时也是画者提升画技画风的加速器，更是每一位想把论文写的更有深度学子的观照。欢迎同学们来学习提升自己的学养文风与绘画水平！


Syllabus

  • 第一章 名家导学 Introduction from Prestigious Experts
    • 1.1 课程概述 Course Overview
    • 1.2 天人之际 Between Heaven & Human
    • 1.3 山水起源 Origin of Shanshui
    • 1.4 山水画与风景画的比较 A Comparison between Chinese Shanshui Painting and Western Landscape Painting
    • 1.5 山水画的物质载体 Physical Media of Shanshui Painting
    • 1.6 师生交流 Teacher-Student Conversation
  • 第二章 中国传统哲学思想与山水理论 Traditional Chinese Philosophy and Shanshui Theory
    • 2.1 孔子的山水比德思想之一 Confucius' Thought on Analogy of Shanshui to Morality I
    • 2.2 孔子的山水比德思想之二 Confucius' Thought on Analogy of Shanshui to Morality II
    • 2.3 庄子美学与山水艺术之一 Zhuangzi's Aesthetics and Shanshui Art I
    • 2.4 庄子美学与山水艺术之二 Zhuangzi's Aesthetics and Shanshui Art II
    • 2.5 道家思想与山水画论之一 Daoism and Shanshui Theory I
    • 2.6 道家思想与山水画论之二 Daoism and Shanshui Theory II
    • 2.7 道家思想与山水画论之三 Daoism and Shanshui Theory III
    • 2.8 同学讨论1（杭州） Class Discussion Ⅰ
    • 2.9 同学讨论2（南京） Class Discussion II
  • 第三章 六朝山水画论 Shanshui Theory in Six Dynasties Period (220-589 CE)
    • 3.1 山水画及其画论产生的背景 Backdrop for the Rise of Shanshui Painting and Its Theory
    • 3.2《画云台山记》——第一篇山水画技法 "Notes on Painting Cloud Mountain" : The First Article on Shanshui Painting Techniques
    • 3.3《画山水序》——最早的山水画思想体系 "Preface to Shanshui Painting": The Earliest Systematic Thought on Shanshui Painting
    • 3.4《画山水序》论山水画的艺术方法与审美价值 The Artistic Methods and Aesthetic Value of Shanshui Painting in "Preface to Shanshui Painting"
    • 3.5《叙画》论山水画的审美价值与功能 The Aesthetic Value and Function of Shanshui Painting in "On Painting"
    • 3.6 同学讨论 Class discussion
  • 第四章 唐、五代山水画论 Shanshui Theory in Tang Dynasty & Five Dynasties Period (618-960 CE)
    • 4.1 张璪《画论》——“外师造化，中得心源” Zhang Zao's "On Painting": "Learning from nature, cultivating inner inspiration"
    • 4.2 王维《山水论》与《山水诀》研究 Study of Wang Wei's "On Shanshui " and " Shanshui Secrets"
    • 4.3《历代名画记》《唐朝名画录》与山水画 Records of Historical Famous Paintings, Records of Famous Paintings in the Tang Dynasty and Shanshui Painting
    • 4.4 荆浩《笔法记》研究 Study of Jing Hao's Notes on Brushwork
    • 4.5 同学讨论 Class discussions
  • 第五章 宋代山水理论 Shanshui Theory in Song Dynasty (960-1279)
    • 5.1 郭熙、郭思《林泉高致》研究 Study of Guo Xi and Guo Si's Lofty and Refined Taste Inspired by Forests and Springs
    • 5.2 韩拙《山水纯全集》研究 Study of Han Zhuo's Complete Collection of Shanshui Paintings
    • 5.3 湖山繁盛——回望历史中的西湖山水 Magnificent Lake and Mountains: Retrospect on the History of West Lake Painting
    • 5.4 同学讨论 Class Discussion
  • 第六章 元代山水理论 Shanshui Theory in Yuan Dynasty (1279-1368)
    • 6.1 汤垕与“写意”说 Tang Hou and the Theory of Xieyi ("Freehand Painting" )
    • 6.2 黄公望与倪瓒——“活法”与“逸笔” Huang Gongwang and Ni Zan:"Living Method" and "Leisurely Brushwork"
    • 6.3 同学讨论 Class Discussion
  • 第七章 明代山水理论 Shanshui Theory in Ming Dynasty (1368-1644)
    • 7.1 董其昌与“南北宗论” Dong Qichang and Theory of the Southern and Northern Schools
    • 7.2 唐志契《绘事微言》——“最要得山水性情” Tang Zhiqi's Brief Words on Painting: "The most important thing is to capture the spirit of mountains and rivers"
    • 7.3 同学讨论 Class discussion
  • 第八章 清代山水画论 Shanshui Theory in Qing (Ch’ing) Dynasty (1644-1912)
    • 8.1 王概《芥子园画传》 Wang Gai's Manual of the Mustard Seed Garden
    • 8.2 费氏《费氏山水画式》 Fei's Shanshui Painting Style
    • 8.3 郑绩《梦幻居画学简明》中之山水图谱 Zheng Ji's A Concise Study of Painting at the Dreamy Residence and Its Shanshui Chart
    • 8.4 顾沄《南画样式》 Gu Yun's Southern Painting Style
    • 8.5 重“道”轻“法”——清初山水画论中的“返祖”现象 Emphasizing “Dao”and De-emphasizing “Fa”:The Reversion in Shanshui Theory of the Early Qing Dynasty
    • 8.6 “出尘不俗”——以渐江为代表的遗民派山水画 "Out of the worldly and unsophisticated": The Literati School Represented by Jian Jiang
    • 8.7 “温顺驯柔”——以王时敏为代表的复古派山水画 "Gentle and mild": The Antique School Represented by Wang Shimin
    • 8.8 “我自我法”——以石涛为代表的自我派山水画 "My own style": The Self-expressionist School Represented by Shi Tao
    • 8.9 同学讨论 Class discussion
  • 第九章 山水与诗画乐融合（拓展章） Extension: Shanshui and Integration of Poetry, Painting and Music
    • 9.1 侯欧对谈：山水与诗学 Hou and Ou’s Conversation: Shanshui and Poetics
    • 9.2 诗乐同一与诗书乐画同一 Poetry and Music; Poetry, Calligraphy, Music and Painting
    • 9.3 诗画融通——写意山水寄情长 Integration of Poetry and Painting: Expressing Feelings in Freehand Shanshui
    • 9.4 琴韵“诗画”声——高山流水觅知音 Rhythm of "Poetic Painting": Seeking Kindred Spirits in High Mountains and Flowing Waters
    • 9.5 外籍学生讨论 Discussion among International Students
    • 9.6 外籍学生讨论 Discussion among International Students
  • 第十章 尾声
    • 10.1 跨时代的大师——黄宾虹 Huang Binhong: Master Across Eras
    • 10.2 希古幽怀——傅抱石 Fu Baoshi: Classical Sentiments
    • 10.3 大道无极——赵无极 Zao Wou-Ki: The Way Is Infinite
  • 期末

    Taught by

    Hangzhou Normal University

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