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Premiere Pro Guru: Outputs and Media Encoder

via LinkedIn Learning

Overview

Discover how to output video from Premiere Pro with Adobe Media Encoder.

Outputting video is one of the most important yet misunderstood parts of the creative process. If you work with Premiere Pro, you need to understand Adobe Media Encoder—the encoding engine that outputs your media for playback on mobile devices, Blu-Ray and DVD, broadcast networks, and the web. In this course, Jason Osder explains everything you need to know to use Media Encoder to ingest, process, and output video in any format. He also shows you how to access Media Encoder from inside Premiere Pro or as a stand-alone program; create an efficient export workflow; and output formats for broadcast, DVD or Blu-ray, websites like YouTube, and iOS and Android devices. Plus, learn how to apply color correction and effects during processing and leverage the custom settings and automation features to speed up your workflow.

Syllabus

Introduction
  • Welcome
  • What you should know
  • Exercise
1. Essential Concepts and Terminology for Professional Compression
  • Why language matters
  • Overview of the interface
  • Choosing a format
  • The use of codecs
  • Use and converting an asset's frame rates
  • The role of data rates
  • Work with interlaced or progressive files
  • Common file extensions for video and audio file types
2. Access Adobe Media Encoder
  • Export with Media Encoder for Premiere Pro
  • Export with Media Encoder for After Effects
  • Use Media Encoder as a standalone application
  • Load Adobe project files directly
  • Essential keyboard shortcuts for Adobe Media Encoder
3. Plan and Execute: Export Workflows
  • Stitch files together on import
  • Working with Premiere Pro previews for export
  • Create a master file for compression
  • Use multiple output files
  • An introduction to automation
4. Better and Faster Video Output
  • Faster encodes with constant bit-rate encoding
  • Higher-quality encodes
  • Compression goals for video-sharing websites
5. The Role of Effects in Media Encoder
  • Apply a LUT to a converted file
  • Conform HDR video to a standard dynamic range
  • Use an image overlay to watermark videos
  • Use a text overlay
  • Use a timecode overlay
  • Set a target export time with Time Tuner
  • Normalizing video and audio on export
6. Encoding for Portable Devices
  • Identify your device requirements
  • Export for iOS and Android devices
  • Adjusting iOS and Android workflows
7. Encoding for Web Video
  • Create MPEG and H.264
  • Create H.265 HEVC files for the web
  • Publish to YouTube
  • Publish to Facebook
  • Publish to Vimeo
  • Publish to Twitter
8. Transcoded Workflows for Broadcast
  • Understand mastering and delivery codecs
  • Create and work with DNxHR and DNxHD files
  • Create working MXF OP1a files
  • Create and work with professional QuickTime files
9. Encoding for Disk-Based Media
  • Disk-based outputs
  • MPEG for DVD and Blu-ray
  • H.264 for Blu-ray
  • Adjusting disk-based outputs
10. Other Export Workflows
  • Master and archive formats
  • Create image sequences
  • Work with alpha channels on export
  • Create and work with Wraptor DC packages
11. Custom Settings
  • Storing custom settings
  • Organize and share custom settings
  • Sync settings across multiple machines
  • Watch folders in Adobe Encoder
  • Custom watch folder outputs
  • Automate FTP uploads
  • Add customer metadata to export
  • Include script or speech analysis
  • Publish to Adobe Stock
Conclusion
  • Conclusion

Taught by

Jason Osder

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